THE ONE HOUR
SUPERPOSITION IMPROVISATION #1
HIRAETH001

Klimperei Christophe Petchanatz
Lyon, France
electric guitar+heavy effects, ukulele, glitched electric piano, toy-pianos
klimperei@gmail.com
klimperei.free.fr
klimperei.bandcamp.com
RG Rough
Bordeaux, France/ GB
acoustic guitar, violin, toy piano, moog, percussion
rgrough@gmail.com
rgrough.bandcamp.com
julien thomas
Le Mans, France
grand-piano, mellotron, nylon monocorde, recorders, synthesizers, voices
yentoma@gmail.com
julien-thomas.bandcamp.com
Marlen Stahl
Rennes, France
guitar, senza, cello, metallophone, fuzz+wah
marlenstahl@gmail.com
front-gauche.bandcamp.com
Anton Mobin
Orléans, France
chambre préparée, magnetic spinner, space4046, tom basse, élastophones, portes et fenêtres, voix et doigts
antonmobin@hotmail.com
antonmobin.blogspot.fr
Stephane Marin
Toulouse, France
field recordings (frogs, crustaceans, crickets, wind, wind turbines, vines and barbed wire...) & Fx
espaces_sonores@sfr.fr
espaces-sonores.com
espaces--sonores.bandcamp.com
soundcloud.com/espaces-sonores
Thierry Weyd
Bayeux, Elgaland~Vargaland
harmonium, musical saw, river, birds and pop-pop boat
thierry@editions-cactus.com
thierryweyd.com
editions-cactus.com
David Oppetit
Phnom Penh, Cambodge
microphones
davidoppetit@yahoo.fr
cargocollective.com/davidoppetit
cargocollective.com
Stephan Barbery
Bruxelles, Belgique
‘camera obscura’ guitar and effects
stephanbarbery@hotmail.com
www.facebook.com/stephan.barbery
Didié Nietzsche
Marchin, Belgique
virtual synths
nietzsche.d@gmail.com
didiernietzsche.tumblr.com
vimeo.com/249233312
soundcloud.com/a-limb/tracks
Benjamin Charles
Bordeaux, France
Softpop, Nord Electro 5D, MS-20, ARP Odyssey, modular synth, piano, electric bass
effects: Eventide H9
michel.bananes.jr@gmail.com
michelbananesjr.bandcamp.com
Tagubu
Rennes, France
drums
inpolysons@gmail.com
tagubu.bandcamp.com
sacha czerwone
Valenciennes, France
voix, melodica, papier de soie, etcétéra
sachaczerwone@gmail.com
sacha-czerwone.tumblr.com
klimperei.bandcamp.com/album/klimperei-sacha-czerwone-d-mos


This is superposition, not “adding after” : you add your sounds on a 1 hour piece which can contain silences. Please don’t cut or change
the previous sounds, just add. Play only where you feel it : on silence or on existing music. Do not feel obliged to fill. Let some place for the next ones (except if you are the last on the list !) & take care of your mix…
Été 2017 - Printemps 2018 / Conception : Gonk Mary